PICTURES OF WALLS

From my early childhood, they fascinated me …writings… slogans… paintings… graffiti… misprint… .directions… directives… dilemmas… desolations…. pride… vengeance… love…. hate… poetry… scientific views… astrological fakes… beauty…. and its battered self… people embossed them on the walls. Sometimes as vibrant posters, sometimes as hoardings, people spoke… people screamed. People whispered on lamp posts… on handbills… pamphlets. I heard them expressing business ideas on boats… I have seen them in the Railway stations… I found the Government trying to bridge the barriers of language… I found India trying to comprehend India. The different layers of our country all mingling together across the language-wallets-attires-expressions and stretching out their hands in search of another. A nation reaching out for its soul… and no wonder touching it. “I heard ten thousand whispering and nobody listening”. So tried to write the book of nonsense rhymes with my lens. You should SEE what I SEA.

SAAS BAHU SAREES
SAAS BAHU SAREES
This Photograph is taken in Varanasi. A city famous for the Hindu pilgrimage…and also famous for its special Vanarasi Sarees.
The City is traversed by the pan Insdian tourists round the year. A major bulk from the Hindi belt. The never ending complicated prime ti,e soap operas are daily rituals for the ladies in these regions. A shopkeeper tries to boost his saree sales by riding on the wave of such a serial name.
Business tactics….

 

ONE FOR THE CHILDREN
A graffiti on the Varanasi Ghats.
TURN TO THE TEMPLE
An alley leading to a Shiva temple.
THE GRAFFITI GIRL
A Graffiti on a wall, on the bank of Varanasi.
WHAT'S ON YOUR MIND
A wall of Varanasi, the city by the sacred Ganga, the destination where the world mingles with India. A wall full of advertisement over there
TIN MILE HAAT
A solitary station of West Bengal on a winter morning. The Lingua Franca here being Bengali, the Indian Railway signboard flashing Bengali,English and Hindi. The station stands alone in the fog…nobody got down…nobody boarded even.

KUMORTULI 2012 | A DIP IN HAPPENING CREATIVITY

KUMORTULI 2012 | ALBUM COVER

THEN I STARTED TALKING TO THE FIGURES
THE FIGURES IN SWEAT AND CLAY
MUSCLES OF IRON…
FIRES OF PASSION…
NARROW ALLEYS OF CREATIVITY…
DIM LIGHTS…WITH THICK SPECTACLES…
THEN i STARTED TO OBSERVE…THE ‘VISION’…
HER EYES…THEIR EYES….
BLESSINGS BEING STRUCTURED…
ANGERS BEING MANIFESTED….
RUTHLESSNESS TAMED….FASTENED….EXPRESSED….
IN THE MOST ELOQUENT MANNER….
I WISHED…I COULD TOUCH THE SOUL OF THE PLACE….
BUT IT DROWNED FAR DEEP
DEEPER THAN MY LENS COULD FATHOM…
I FELT MYSELF LUCKY
TO HAVE A DIP IN THE FLOWING STREAM OF HAPPENING CREATIVITY
AT A MUCH VISITED CORNER OF THE CITY OF JOY…
AT KUMORTULI.

KARUKOTHA | PUJABARSHIKI COVER | কারুকথা ।। পূজাবার্ষিকী প্রচ্ছদ

THIS IS THE COVER OF A QUARTERLY LITTLE MAGAZINE KARUKOTHA EI SAMOY. IT IS A LEADING LITTLE MAG WITH EXCLUSIVE COVERAGE ON ALL THE HAPPENING ARENAS OF BANGLA LITERATURE. THIS YEARS PUJA SONKHYA IS DEDICATED TO THE LEGEND SUNIL GANGOPADHYAY. I HAVE BEEN LUCKY TO BE A PART OF AN INTERVIEW AT THE POET’S RESIDENCE. THE INTERVIEW AND PHOTOGRAPHS TAKEN ON THAT DAY BY ME WILL BE PUBLISHED IN THE MAGAZINE. THE COVER IS ALSO DESIGNED BY ME. PLEASE EXPRESS YOUR VIEWS ON THE WORK.

SUNIL GANGOPADHYAY SOMMANONA SONKHYA

Ranan’s ‘Rangeeniyan’ | An Ecstasy in Colours

Ranan presented ‘Rangeeniyan’ as part of ICCR Kolkata’s Horizon Series on 14th September, 2012 at The Satyajit Ray Auditorium, Rabindranath Tagore Centre, ICCR, Kolkata.

“lyrical, graceful and romantic. Simply mesmerising.”
– The Telegraph, Calcutta. June 2006

“a revelation … an intense journey of passion”
– Daily News and Analysis, Jaipur. February 2012

Rangeeniyan’ interlaces the moods of Indian musical genres such as Ghazal, Geet and Thumri along with corresponding moods of the seasons. The predominant emotion in these musical forms is Love – Shringar – in its many varied shades and experiences ranging from the joy of togetherness to the pain of separation and the sweetness of reunion.

The restless thirst of Summer, the eager hope of the Monsoon. Blossoming love in Sarat, melancholy parting in Hemant. Despondent bitterness in Winter, joyful reunion in Spring.

Rangeeniyan evokes this fluid journey through the sensuous and romantic poetry of Indian musical genres and the lyrical beauty and imagery of Kathak.

Concept and Choreography
Debashree Bhattacharya, Vikram Iyengar

Performers
Debashree Bhattacharya, Vikram Iyengar,
Sohini Debnath, Samila Bhattacharya

Music Arrangement
Siddhartha Bhattacharyya

Light Design and Production
Amlan Chaudhuri

The Photographs from the show are exhibited below. Enjoy and share.

MADHUSHALA

তোর জন্য প্রথম অনেক কিছু
মেঝেতে ছড়ানো কাঁচ…সময়…
লুকোনো কালশিটে
বৃষ্টির আধোঘুম ঘর…সংশয়
তোর জন্য সোনালী বুদবুদ
শীতল টালমাটাল এবড়ো খেবড়ো পথ
প্রথম… তোকে ফেলে এগিয়ে এসেছি বহুদূর
ভুলতে পারিনা শুধু সেই সব
বেসামাল ঢেউ
জলপ্রপাত।